Click to watch the video

{{video.title}}

BlackFacts T-Shirts

Black History Month Special

Show your Black Pride with original BlackFacts SWAG.
Because Black Facts Matter!
Order Now and Save 20%

Black Facts for October 22nd

2023 - Children’s Authority: Over 10,000 reports of child sex abuse in eight years - Trinidad and Tobago Newsday

An average of 1,395 reports of child sexual abuse are made to the Children’s Authority each year, and almost all of the perpetrators are known to the victims.

Rhonda Gregoire-Roopchan, general manager of the Child Welfare Services division of the Children’s Authority, told Sunday Newsday from May 18, 2015-September 30, 2023, members of the public as well as stakeholders made 10,811 reports of child sexual abuse.

Those 10,811 reports of suspicions formed 29.9 per cent of the cases the authority got over the period. She added that the greatest number of reports were made in 2020 – 1,452 – and the lowest in 2018 – 1,180. And 45 per cent of the perpetrators were the children’s primary caregivers.

She said in over 80 per cent of sexual abuse cases, the victims were female. The authority had received reports about children less than one year old being abused, but the most frequent age group was ten-13.

The reports were received from all over the country, but the authority received the most from the San Juan/Laventille areas (12.7 per cent), and Tunapuna/Piarco (10.9 per cent).

“The fewest reports came to us from rural areas, including Mayaro/Rio Claro at 2.4 per cent and Point Fortin at 3.3 per cent.

“What we suspect, and we've been working on, is that there is a group of persons who may not know how to report. There is a group of persons who may not know what abuse is and that it should be reported, as we have seen in some of the reports that actually came to us.”

To address this, the authority was working on community outreach in Tobago, which accounted for about five per cent of its cases, as well as rural areas of Trinidad.

She said to make a report, a person was not required to know all the details or even be absolutely sure the allegation was true. But the name of the child, the name of the family, an address or any information that would help them find the child would be appreciated.

“What we ask is that the report comes to us and give us the opportunity to do our due diligence, because we will then investigate.”

She said reports could be made anonymously or contact information could be given so the team could contact you – but not share your identity with the subjects of the report. She added that the Authority introduced a National Inter-agency Protocol for Child Abuse Prevention and Management document a few months ago to show stakeholders and the public what they could do to help.

She also stressed that the authority did not deal with the criminal aspects of the case but worked closely with the Child Protection Unit of the police, which laid charges and dealt with any further legal activities.

Instead, the authority focused on the child’s experiences, needs, and how to help the child return to functioning optimally. With the help of several stakeholders the authority sees to the child's medical, mental and emotional needs, and works with the whole family to recover. Stakeholders include the Ministry of Education’s Student Support Services, National Family Services and the Ministry of

2023 - Alicia Aberdeen-Jones creates opportunities for Caribbean artists - Trinidad and Tobago Newsday

Alicia Aberdeen-Jones is the quintessential Caribbean artist with philanthropy in her DNA.

Through her New York-based organisation, Aberdeen Art LLC, Trinidad and Tobago-born Aberdeen-Jones maintains a level of commitment to creating spaces for artists of the diaspora to showcase their creativity, while donating to select causes through Paintings in the Garden (PITG), her annual art show and fundraiser that is now in its fifth year.

"The event showcases fine and performing arts from the Caribbean arts community in an all-inclusive, one-night extravaganza, which is then followed by a full exhibition that runs for one to two weeks," Aberdeen-Jones told WMN.

[caption id="attachment_1041390" align="alignnone" width="1024"] Alicia Aberdeen-Jones shows off her painting of calypsonian David Rudder. -[/caption]

This year's event will usher in the Age of Aquarius and takes place at the Roulette Theatre in downtown Brooklyn on November 11. It will feature the artwork of Aberdeen-Jones, the embroidery art of Adele Todd; jewellery from designer and silversmith Janice Derrick; and artisanal bath, body and home fragrance from BHĀVANĀ NYC by Tashari DaSilva of Jamaica.

"And for the first time ever, my twin students Yves and Zach Briggs, 13 years old, living and thriving through autism," she said.

Part of the proceeds will be donated to the Serenity Place Empowerment Centre for Women in TT and a repeat partnership with The Coalition For The Homeless in New York.

"We (at Aberdeen Art LLC), work on art shows and projects that drive Trinbagonian and Caribbean culture in other ways, alongside yet apart from, the traditional Carnival fetes and activities. These art shows spotlight Caribbean culture and heritage that celebrate genres of talent while championing real causes in real-time.

"We are able to use the greatness of creativity to truly help people in need. In this way, we pay-it-forward immediately."

Aberdeen-Jones grew up in a "regular" middle-class Seventh Day Adventist family that diligently gave its ten per cent tithe to the church.

[caption id="attachment_1041389" align="alignnone" width="1024"] Alicia Aberdeen-Jones with her painting, Sons of the Soil, which pays tribute to the 1956 Tokyo Olympic quartet. -[/caption]

"But it wasn’t just a monetary sense of giving. We allowed it to permeate all levels of life and thinking."

Unfortunately, she said, when she was very young her family was struck with a series of tragedies, including the drug addiction of her brother Sheldon "Sketch" Aberdeen.

"We were exposed to things from a young age, so we went from being sheltered to being completely exposed, and forced to really mature and understand certain things from an early age; one of those things is that giving is a duty."

She said she first encountered homelessness when she had to stand helplessly by and watch her brother descend into the depths of life on the streets for 17 years – a harrowing experience that is among the m

2022 - Desperate Carnival season in October - Trinidad and Tobago Newsday

THE EDITOR: A few years ago there was an attempt to build a stage over the waves at Maracas. Good sense prevailed and the scheme was abandoned. Exciting to be prancing and dancing above the rolling waves but downright dangerous to life and limb, never mind the brain-dead idea to mess with climate change and soil erosion.

Fast forward to tiny Tobago desperate to earn some money with global tourism suffering the effects of the covid19 pandemic. To actually start building an over-the-ocean-waves party stage is downright dangerous and ill-advised. Matters not who is the contractor or where he/she is from. Forget about the politics about whose political ego is being stroked or offended. Coastal erosion is alive and well because of climate change.

The entire exercise should not have been contemplated without due diligence with the Environmental Management Authority (EMA). Tobago business suffers from there only being 60,000 citizens living there. The intention is to entice thousands of party visitors for a first attempt at carnival in October. But who gets billed for the maintenance?

There is no guarantee the stage will not collapse into the sea. Ask the suffering people who live near the Caroni River, whose shoreline is practically melting away because of natural soil erosion.

Now along comes the carnival in Tobago idea to build a stage in the sea. Will the taxpayers of Trinidad have to cough up billions of dollars in maintenance to stroke Tobagonians’ political egos?

Will the October carnival even generate enough money to validate a stage in the sea?

Europe is poised to go into financial recession because of the war in Ukraine, among other financial and political constraints. European tourism may decline even further. There is a real world with real problems out there in foreign but it is like Tobago people are off on a high. Why? And with whose money?

So, how many partygoers from Trinidad are needed to keep the Rockley Bay stage financially afloat? Sixty thousand every year? Now and forever?

LYNETTE JOSEPH

Diego Martin

The post Desperate Carnival season in October appeared first on Trinidad and Tobago Newsday.