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Black Facts for September 12th

1913 - Jesse Owens

Jesse Owens was a renowned twentieth century African-American track and field athlete. He was considered the most famous athlete, as he excelled in the sprints and the long jump. He earned fame and respect in the sports world by achieving four gold medals in Olympics.

James Cleveland Owens was born on September 12, 1913 in Oakville, Alabama, to Henry Cleveland Owens and Mary Emma Fitzgerald. When he was nine years old, his family moved to Cleveland, Ohio. The movement was in the light of Great Migration, when 1.5 million African Americans left the segregated South. When he was enrolled at the school he pronounced his name ‘J. C’ in his Southern accent which was mistaken for Jesse and since then he was known as Jesse Owens. In his youth, Owens took up a number of odd jobs from grocery delivering to working in a shoe repair shop. Gradually, he realized his potential for running while he was studying at Fairmount Junior High School. He credited his junior high track coach, Charles Riley, for his success in athletic career.

Later on Owens went on to study at East Technical High School in Cleveland. It was there that his sports talent was recognized at national level. At the 1933 National High School Championship in Chicago, he equaled the world record of 9.4 seconds, in the hundred-yard dash and long-jumped 24 feet 9 and half inches. Subsequently, when his father found proper vocation to support the family, Owens enrolled himself at Ohio State University. He was given the title of “Buckeye Bullet” as he won a record eight individual NCAA championships. Despite his successful athletic career, Owen was excluded from white company and had to live off campus with other African-Americans. The discrimination level was so high at that time that his astounding athletic performance was openly ignored when it came to scholarship distribution. Therefore, he had to continue his part-time jobs in order to afford tuition for his education.

1935 is deemed a memorable year for Owens when during the Big Ten meet  he set three world

1981 - Jennifer Hudson

Jennifer Kate Hudson is an American singer and actress. She was born in Chicago, Illinois on September 12, 1981 to Darnell Donnerson and Samuel Simpson. She started singing in her church choir as a child and also performed in community theatre. She graduated from high school in 1999 and enrolled at Langston University but left after one semester and transferred to Kennedy–King College. She received her first singing contract in 2002 with an independent Chicago label called “Righteous Records”. The initial terms of the contract were for 5 years but when Hudson wanted to compete on the reality singing show American Idol, she was effectively released from her contract.

Jennifer Hudson auditioned for season 3 of American Idol from Atlanta which was very popular. During the Top 9 contestants episode, she received the highest number of votes for performing Elton John’s hit song “Circle of Life” but just two weeks later she was eliminated from the show. Her exit from the show caused much controversy at the time, especially given the fact that the bottom three contestants were all African American women. Several magazines, including the Los Angeles Times have commented on how Hudson may be one of the best contestants to ever perform on the show and that her exit was untimely and unwarranted.

In 2005, Hudson was cast in the role of Effie White for the musical “Dreamgirls” starring icons such as Jamie Foxx, Beyoncé Knowles and Eddie Murphy. She was selected from amongst hundreds of professional singers and actresses, including the Season 3 American Idol winner Fantasia Barrino. Her performance in the movie was critically acclaimed, both as an actress and singer, and won her numerous awards including the Golden Globe Award as Best Actress in a Supporting Role, BAFTA Award for Best Supporting Actress and the Academy Award for Best Supporting Actress. She then appeared in the films “Sex and the City” with Sarah Jessica Parker and “The Secret Life of Bees” starring Queen Latifah, Sophie Okonedo and Alicia Keys. The film

2014 - Joe Sample

Joseph Leslie Joe Sample (February 1, 1939 – September 12, 2014) was an American pianist, keyboard player, and composer. He was one of the founding members of the Jazz Crusaders, the band which became simply the Crusaders in 1971, and remained a part of the group until its final album in 1991 (not including the 2003 reunion album Rural Renewal).

Beginning in the 1970s, he enjoyed a successful solo career and guested on many recordings by other performers and groups, including Miles Davis, George Benson, Jimmy Witherspoon, B. B. King, Eric Clapton, Steely Dan, Joni Mitchell, and the Supremes. Sample incorporated jazz, gospel, blues, Latin, and classical forms into his music.

Sample was born in Houston, Texas on February 1, 1939. Sample began to play the piano at age 5. He was a student of the organist and pianist Curtis Mayo.

In high school in the 1950s, Sample teamed up with friends saxophonist Wilton Felder and drummer Stix Hooper to form a group called the Swingsters. While studying piano at Texas Southern University, Sample met and added trombonist Wayne Henderson and several other players to the Swingsters, which became the Modern Jazz Sextet and then the Jazz Crusaders,[1] in emulation of one of the leading progressive jazz bands of the day, Art Blakeys Jazz Messengers. Sample never took a degree from the university; instead, in 1960, he and the Jazz Crusaders made the move from Houston to Los Angeles.

The group quickly found opportunities on the West Coast, making its first recording, Freedom Sounds in 1961 and releasing up to four albums a year over much of the 1960s. The Jazz Crusaders played at first in the dominant hard bop style of the day, standing out by virtue of their unusual front-line combination of saxophone (played by Wilton Felder) and Hendersons trombone. Another distinctive quality was the funky, rhythmically appealing acoustic piano playing of Sample, who helped steer the groups sound into a fusion between jazz and soul[2] in the late 1960s. The Jazz Crusaders became a strong

1949 - Burleigh, Harry Thacker (1866-1949)

Harry Thacker Burleigh was the first and one of the most influential of the African American composers who emerged in the U.S. after the Civil War. Born in Erie, Pennsylvania in 1866, Burleigh showed an early passion for music and sang in local church choirs, but was unable to afford formal lessons until 1892 when he attended New York’s National Conservatory of Music on a scholarship. While there he developed a friendship with Antonín Dvorák, the school’s director, and the two shared an interest in using Negro spirituals and folksongs as inspiration for classical compositions.

After graduating, Burleigh began his musical career as a vocalist. He was selected as the baritone soloist in 1894 at St. George’s Episcopal Church in New York City and was the choir’s first and only black chorister. In 1900 he broke precedent again by becoming the first black soloist at Temple Emanu-El, a Jewish synagogue. The success of his singing career established Burleigh as a professional musician.  As an acclaimed soloist he was highly sought after, even singing at a command performance for King Edward VII of England.

In 1898 Burleigh married poet Louise Alston.  Their son, Alston, was born the following year. In the same year, he began to compose music.  In 1911, with a publishing contract with G. Ricordi and Company, he shifted his concentration from singing to composition.

Burleigh’s dedication to preserving the flavor of traditional Negro songs in composed forms was the trademark of his career as a composer, and a testament to his time spent with Dvo?ák. Especially unique to Burleigh’s work was his arrangement of spirituals for the solo voice. By arranging spirituals in the form of fine art songs, Burleigh made African American music accessible to concert singers for the first time.

During his lifetime, Burleigh composed more than 300 pieces including such well known titles as Six Plantation Melodies for Violin and Piano (1901), From the Southland (1914), Southland Sketches (1916), Saracen Songs (1914), Five Songs (1919),

1890 - Harare, Zimbabwe (1890- )

Harare (formerly known as “Fort Salisbury” or “Salisbury”) is the largest city in Zimbabwe with a population of 1.6 million. It serves as Zimbabwe’s seat of government and Zimbabwe’s commercial and industrial center.  The city is located in Northern Zimbabwe in the region of the Shona speaking people.

Cecil Rhodes and the British South African Company (BSAC) founded the settlement as “Fort Salisbury” on September 12, 1890.  The fort began when the BSAC’s Pioneer Column, under the command of Major Frank Johnson, invaded Shona territory and seized land held by the Shona and other indigenous groups. Britain recognized the fort as a colonial municipality in 1897 and in 1923 the settlement became the capital of the Rhodesia Colony which then included both Northern and Southern Rhodesia.  In 1953 Salisbury became the capital of the newly forged Federation of Rhodesia and Nyasaland which includes the contemporary nations of Zambia, Zimbabwe, and Malawi. After the collapse of the Federation in 1963 Salisbury remained the capital of Southern Rhodesia.

In addition to being an administrative hub, Salisbury served as a major economic center for Southern Rhodesia. Initially British settlers, who were a minority in both the capital and the nation, focused on small-scale farming and gold mining in the area. After World War II light iron production, steel production, textile manufacturing, paper production, and vehicle assembly were introduced to the city. Also, by the 1950s the number of British residents increased significantly and a university and new airport were established.

In Salisbury the British denied black residents their civil rights. Africans were barred from downtown areas and relegated to segregated neighborhoods called “locations.” White settlers controlled Salisbury’s economic, social, and political institutions. Racial inequity triggered strikes by African workers in the 1940s, bus boycotts in the 1950s, and major anticolonial uprisings in the 1960s. In 1960, at a protest called the March of 7,000, a young