NNPA NEWSWIRE — The aesthetic and visual style of the film is a love letter to the Kung-Fu films that preceded it. It gives the film a distinct feel that sets it apart from modern action films as it leans into the history from which it comes from, in the same way Eugene Ash’s “Sylvie’s Love” used a Super 8mm camera to fully immerse the audience in the nostalgia of the genre. | LIVESTREAM REPLAY: The BlerdBinder looks into Rae Shaw’s newest film. By Noah Washington https://youtu.be/ovOeGokQgK8 A few months ago, I was able to catch a viewing of the web-series “Black-Kung Fu Chick.” It was re-edited into a short film for its festival run. It’s an enduring and heartwarming story from creator Rae Shaw about a young […]