“Ain’t No Mo’,” a biting political satire that premiered at Boston’s Calderwood Pavilion on Jan. 10, begins with a startling premise. What if, to solve the problem of racism, the U.S. government gave every Black citizen a one-way ticket to Africa? From this absurd premise, playwright Jordan Cooper has conjured up a no less absurd play, made up of a series of vignettes in which African Americans are forced to reckon with their histories and decide whether to stay or go.
