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[VOA] Washington -- By all odds, Mohamed Ibrahim Moalimuu should not be alive to tell his story.
Abiy's government and the regional one run by the Tigray People's Liberation Front each consider the other illegitimate.
\t There was no immediate word from the three AU envoys, former Liberian President Ellen Johnson Sirleaf, former Mozambique President Joaquim Chissano and former South African President Kgalema Motlanthe. AU spokeswoman Ebba Kalondo did not say whether they can meet with TPLF leaders, something Abiy's office has rejected.
\"``Not possible,'' senior Ethiopian official Redwan Hussein said in a message to the AP. ``\"Above all, TPLF leadership is still at large.'' He called reports that the TPLF had appointed an envoy to discuss an immediate cease-fire with the international community ``masquerading.''
\t Fighting reportedly remained well outside the Tigray capital of Mekele, a densely populated city of a half-million people who have been warned by the Ethiopian government that they will be shown ``no mercy'' if they don't distance themselves from the region's leaders.
\t Tigray has been almost entirely cut off from the outside world since Nov. 4, when Abiy announced a military offensive in response to a TPLF attack on a federal army base.
That makes it difficult to verify claims about the fighting, but humanitarians have said at least hundreds of people have been killed.
\t The fighting threatens to destabilize Ethiopia, which has been described as the linchpin of the strategic Horn of Africa.
\t With transport links cut, food and other supplies are running out in Tigray, home to 6 million people, and the United Nations has asked for immediate and unimpeded access for aid.
AP
Archaeologists have found evidence of at least two graves, along with artifacts such as an ink well, fragments of a doll and building foundations, during a dig at the site of a historic Black church in Colonial Williamsburg, officials said Monday.
[Monitor] In the casualty ward at Mulago hospital lies young men. Four beds lie on either side of the three partitions in the ward. A sort of triage counter, where nurses watch patients from, is properly laid with food, drinks and clothing for patients and their caretakers.
The following is excerpts of Imam W. Deen Mohammed speaking on Islamic Heritage, compiled by Michael “Mikal” Saahir, Oct. 1, 2020. “As The Light Shineth From The East,” pages 135-136: Once you come out of the sentimental womb and come into a rational womb and start approaching things with the tools of intelligence, then you […]
Hijab-wearing Somali-American model Halima Aden says she is taking a break from what she describes as the “toxic mess called fashion” after revealing she felt pushed to the wall to compromise her religion. In a series of Instagram posts on Wednesday, Aden, who made history in 2016 when she became the first woman to wear...
The post Hijab-wearing model Halima Aden quits fashion over religious beliefs appeared first on Face2Face Africa.
THE BBC’s Creative Diversity Unit, led by June Sarpong has today launched the Creative Allies...
The post BBC Creative Diversity Unit continues push for concerted change appeared first on Voice Online.
[This Day] Burna Boy has been nominated for the 2021 Grammy Awards. It is in the category for Best Global Music Album, for the second year running, writes Ferdinand Ekechukwu
LOCAL digital storyteller and founder of FotoKulture, a conceptual and portraiture art company Ernest Muvunzi says through his photographic skills he seeks to inspire and remind people living in the high-density suburbs (ghetto) that there is nothing shameful about their daily lifestyle. BY KENNEDY NYAVAYA High-density suburbs across the country have for long been branded havens of crime and drug abuse among other sorts of immoral activities. In an interview with NewsDay Life & Style, Muvunzi said using one perspective to depict life in the high-density suburbs had tainted the beauty they convey. “Photography can be used to dispel widespread and often baseless negative perceptions that ghettos are dingy, filled with decadence and retrogressive behaviour,” he said. “My main wish is to inspire the ghetto demographic that there is nothing wrong or shameful about living in the ghetto and I want my work to show them how beautiful their life is so that no one should define the narrative better than them.” The 25-year-old Dzivarasekwa-bred artist who is a product of the ghetto, said he was a self-taught photographer whose work was highly concept, portrait art-based and used grungy township motifs. “In an attempt to reflect the beauty from what is generally viewed as unpleasant, my main drive is to rewrite the African narrative because those who have made it in life have made those who have not, most particularly in the ghetto, lose the belief in where they belong,” he said. “Many people shy away from associating with the ghetto and always want to capture their moments only when they are miles from the dusty township surfaces.” Muvunzi, who is also a professional graphic designer, said living his early life in the rural areas before coming to live in the ghetto exposed him to the dynamic nature of life. “People, who do not come from where we come from think that because we are living in poverty and marginalised communities we are always sad and gloomy, but actually that is the opposite. That energy got me inspired and my work tries to portray the happy side of the ghetto,” he said. Muvunzi worked with the National Gallery of Zimbabwe as creative designer in 2016 before doing photographic work for the United Nations Educational, Scientific and Cultural Organisation and later joined the National Taskforce on Command Agriculture as their photographer and graphic designer. Follow Kennedy on Twitter @ken_nyavaya
[UN Women] Galvanizes partners to fund organizations, respond to survivors' needs, prevent violence and collect data to build a post-pandemic \"new normal\" as the 16 days of Activism campaign kicks off
[International Justice Monitor] Who would have believed that an agreement with Darfuri armed movement's leaders would be used to justify granting amnesty to the Janjaweed for atrocities committed against innocent civilians in Darfur? And yet, that appears to be exactly what has happened.
